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REVIEWS > LIVE REVIEWS & ARTICLES & BROADCASTS
JAZZWISE MAGAZINE
ISSUE 143 JULY 2010
NEWS ITEM by Jon Newey
‘Zoe
Schwarz Festival Fever
Singer
Zoe Schwarz and guitarist Rob Koral
hit the jazz festival circuit this summer with duo, trio, quartet and sextet
performances in support o their recent album Celebration released on the 33
record label. Schwarz, who graduated in classical and performing arts from
Middlesex university, was encouraged
in the early stages of her jazz career by Keith Tippet and Julie Tippets and
has since appeared at most major jazz clubs in the
UK with Koral.
Dates include Jazz At the Winchester, Bournemouth (1st
July),Christchurch Festival, Dorset, Lyme Regis, Marlborough,
Swanage, and Shaldon
Devon.’
BBC RADIO 2 THE
RUSSELL DAVIES SHOW 9-10PM
25th
April 2010 Broadcast
‘Cry Me A
River’ Track 1 from CELEBRATION (33JAZZ201)
BBC Radio 2 Sunday 21:00 – 22:00 On line, On digital
Russell Davies Sun 25 Apr 201
RECOMMENDATIONS: We were happy to feature Zoe Schwarz’s new CD
“Celebration” – even with the ubiquitous “ Cry Me A River” on display – for
Zoe’s a real talent, as is her guitar-playing partner Rob Koral
and on this 16-track album, Zoe’s sure, strong
voice is under-pinned by some really pretty guitar. Good choice of material,
some nice, un-hackneyed songs (‘Don’t Explain’; ‘Baby Baby All The Time’)
amidst the familiar fare (‘My Funny Valentine’, ‘The Man I Love’). There are
2 originals by Zoe and Rob, too. Fine recording,
56-odd minutes of music. It’s on 33jazz201..
LIVE REVIEW - by
Tony Hayward April 2010
BLUESY SMOOCHINESS
AT THE ILMINSTER ARTS CENTRE
‘Last
Friday, a near capacity cabaret style audience at The Ilminster
Arts Centre were treated to a superb mix of blues, ballads and standards from
the “Great American Songbook” performed by singer Zoe
Schwarz and guitarist Rob Koral. They were ably
supported by bassist Kevin Sanders and a lively but sympathetically
restrained drummer, Quinnie Lawrence. All agreed
that this was a top quality performance, reminiscent of the classic albums by
Ella Fitzgerald and Joe Pass, although Zoe’s vocal timbre has a much smoother sound than Ella’s.
Their programme opened with the
up-tempo Mose Allison song, “Stop the World”, which
has lyrics, typical of Allison, chock full of words,
which tested Zoe’s diction to the limit. With
this she showed from the start how totally at ease she was, whilst Rob
demonstrated his mastery of his instrument with silky smooth runs and fluent
complex chord progressions. They continued with many well-known jazz
standards, and two originals of their own, “The Waitress”, and a funky “Blues
for Frankie and Johnny”, which added their own quality stamp to the well
chosen mix of material.
The evening finished with “St
Louis Woman Blues”, Ma Rainey’s variation on the
W.C. Handy original “St Louis Blues”, which slid seemlessly
into “Route 66”. A rousing finale which ensured they will be back next year.’
LIVE REVIEW - by Chris
Parker April 2010
Rob Koral & Zoë
Schwarz at THE VORTEX JAZZ CLUB, LONDON
‘On Rob Koral and Zoë Schwarz's latest album, Celebration
(see CD Reviews), Schwarz reveals that playing duo gigs was 'how I learnt
my trade', calling them 'a very intimate setting that Rob and I thrive
on'. From the very beginning of this performance, a lively rendering of
the Evans/Ricardel novelty song 'Frim-Fram Sauce' (made famous by Nat King
Cole and Slim Gaillard, among others), such
intimacy lay at the heart of
the duo's considerable appeal. With Koral providing
discreet, supple but
subtly powerful guitar accompaniment, Schwarz injected genuine wit into
the delivery of such nonsense orders as 'aussen fay' and 'chafafa', and in
the following two songs, Bobby Troup's 'Baby, Baby, All the Time' and
Rand/Grant's 'Let There be Love' (both also associated with Cole), she
emulated the great singer/pianist in her delivery's combination of relaxed
warmth and controlled emotion. Thereafter, throughout a wide-ranging
selection of songs embracing everything from Jobim
sambas and familiar
standards (Cole Porter's 'What is This Thing Called Love', the Gershwins'
'The Man I Love') to the odd blues (Ma Rainey's 'See See Rider', Howlin'
Wolf's 'Sitting on Top of the World') and affecting original, the duo
(like a number of other musical/marriage partnerships – Mike and
Kate Westbrook, Keith and Julie Tippett/s spring
immediately to mind)
Koral and Schwarz imbued everything they performed
with an easy
informality and graceful assurance, thoroughly vindicating Schwarz's
avowed aim: 'to use the [duo] space to be creative, expressive, dynamic,
intricate and I hope stylish'.’
TIME OUT SAYS
20th April
2010
‘Vocal-led jazz from this polished
duo of singer Schwarz and guitarist Koral who
combine in classy style on charming originals and faithful readings of standards.
Evoking the effortless rapport of Ella as backed by Joe Pass, this duo really stand out from the vocal-jazz crowd with
their great taste and timing.’
BURY ST. EDMONDS MUSIC FESTIVAL
– NICK WELLS
The moment I heard
Zoe’s bluesy vocals I knew I had to bring her and
her band to the Festival. Her mix of jazz standards and original compositions
has been getting great reviews and I’m really looking forward to this set.
INTERVIEW WITH SEBASTIAN
SCOTNEY for
londonjazz.blogspot.com &
Featured Artist on
www.jazzcds.co.uk February 2010
CD release -
Celebration by Zoe Schwarz and Rob Koral
Vocalist
Zoe Schwarz and
guitarist Rob Koral, whose new duo album Celebration is released on
33 Records are a couple, and a duo. But they have taken very different
journeys.
As a sixteen year-old,
self-taught, left-handed beginner guitarist, Rob Koral
was first in thrall to Eric Clapton. Then to Jan Akkerman. He then moved from Bournemouth onto the London
music scene as a “whirlwind of energy.” Koral
remembers the life he had in the early eighties, He
was rushing around town from TV recording to gig to studio with his band
Sketch. Or stretching his jazz chops alongside the likes of bassists Laurence
Cottle and Roy Babbington
and pianists Robin Aspland and Pete Saberton. And when he talks about those times, he can
savour the simple differences between then now and then: “The scene was open, you could just pick up the phone and talk to a TV producer.
And there weren’t yellow lines. You could always park outside the studios.”
When Koral
describes his more recent influences, the names of the guitarists which come
up are very different from his original inspirations: he mentions Joe Pass,
Jim Mullen, Phil Robson and Martin Taylor. What Koral
strives for now, he explains on his website, is "sweet touch",
combined with the "intricacies of jazz harmonies". He aims to
create “a fluid sound without physical tension in the execution,”
No physical tension? But surely
the guitar gives you lop-sided posture? “I’m not aware of that,” says Koral. And I noticed him recoil at the mere thought of
the kind of busy guitarists who want to be the fastest in the world,
attacking and driving the beat. There is a distinct calm about Koral’s playing on Celebration
which clearly comes from within. And playing in the duo setting with Zoe Schwarz gives him the space for his individual voice
to come through. “I can breathe.”
Schwarz’s journey through life
could not have been more different. From an army family, she was always on
the move as a youngster She went to nine different schools before the age of
seven, when she was sent away to boarding school. “I sang all the time. I was
obsessive. Classical, choral, contemporary.” Her summers as a teenager were
spent at Dartington. As a high soprano with perfect
pitch she was a natural for pieces by Maxwell Davies and Birtwistle.
She was regularly called on to perform compositions by the students. She
interrupted our conversation to do a nice impression of the screechy,
anguished, eighties soprano parts.
Life then brought Schwarz both
the tensions and the rewards of a succession of jobs in finance, where she
rose through the ranks, and was involved in managing the risk exposures of an
investment bank. But things then took a different turn, and she found herself
living back with her parents and her two children in Dorchester. So, after a
gap of fifteen years, in 2001, she returned to Dartington.
She met Keith Tippett
who still remembered her from earlier summer schools. She had brought along
ballads by Billie Holiday to sing. Schwarz remembers his reaction to her
singing. He was adamant: “You’ve got to stick at this.”
Those words of encouragement
from Keith Tippett were to resonate with Schwarz.
She tracked down Rob Koral, who lived locally, and
went to him to work on songs. His first response to her singing was also
telling. He booked her for a gig. That Saturday. Their memories of that gig
are different: “I only knew four songs,” says Schwarz. “She knew a dozen. She
was fine.” says Koral.
Schwarz’s voice has changed,
moved lower since her early singing. She has an appealing no-nonsense
approach to describing the change: “When I sing I feel a real connection with
my back. And, I can tell you, with each child, it’s just got better!”
Literally hundreds of gigs
later, Koral and Schwarz are releasing their first
album as a duo. It was recorded by Mike Hallet, who
has worked on previous albums for them and knows their sound. “We just went
in to his studio and literally did performances", says Koral.
“Celebration” is also a thank
you and a homage to Billie Holiday. The CD
celebrates spontaneity, and beautiful sound. It has that organic feel of an
album derived from the experience, the joy and the spontaneity of live
performance.
Celebration
was released on January 11th and is available from www.jazzcds.co.uk
BBC Radio 2 “Best Of Jazz”
– Humphrey Lyttelton
Monday 10th March 2008
Track 2. From the Album STEP UP
33JAZZ171
‘I Want A Little Sugar In My
Bowl’ written by Nina Simone
“A powerful rendition …..
a glorious album” – Humphrey Lyttelton
BBC Radio Scotland
Tuesday 8th Jan and
Sunday 13th January 2008.
The Great
Escape - Eilidh Macleod talks to people
who have made a change.
Producer Gillian Russell
Half hour interview about the change from Top
city career to jazz vocalist. Two tracks broadcast:
THE WAITRESS – THE BADDEST BLUES BAND
(EVER!) – Audio-B
YOURE NOT ALONE – DUO with Rob Koral – 33Records
WINDSOR ARTS CENTRE
3RD march 2008 Blog by Graham
Steel
Zoe
Schwarz & Rob Koral
performed some sultry jazz & blues with there quartet co-inciding with the eclipse of the moon! A great night full
of standards and original material, featuring a soulful voice and sublime
guitar playing.
THE VORTEX JAZZ CLUB. LONDON
Wednesday 31st
JANUARY 2007. Gig review by Chris Parker
“Breezy
informality was the keynote struck by singer Zoe
Schwarz and partner, guitarist Rob Koral, in their
quartet gig on which they were joined by bassist Malcolm Creese
and drummer Mark Fletcher.
Ellington numbers
(I’m just a Lucky So and So’), songs connected with Billie Holiday (‘Until
the Real Thing Comes Along’) and the odd bluesy original from their
repertoire, but the success of their act depends more on their easy rapport
and unassuming stage presence than on the quality of their material.
Schwarz has an engaging, unaffected vocal
style particularly well suited to the blues, and Koral
is a near but cogent guitarist, so their partnership is a natural one, and
their gigs, if this one’s a fair example, are immediately accessible,
enjoyable affairs.”
THE INDEPENDENT ON SUNDAY.
18th August 2007.
Jazz & Blues - THE FIVE BEST GIGS by Roger Trapp
"The
bluesy vocals of Zoe Schwarz have won a significant
following in the West Country. Her
combination with the guitarist Rob Koral helps
place her apart from many other female vocalists. A new CD is on the way. Café Rouge,
Bournemouth.”
THE PIZZA EXPRESS JAZZ CLUB. Dean Street. Soho. London. W1
MUSIC
PROGRAMME Thurs 20th
October 2005 20 – £15
”Vocalist/songwriter Zoë Schwarz and guitarist/composer Rob Koral have forged one of the most engagingly natural
partnerships in jazz – Zoë’s smoky tone and soaring quality in perfect
harmony with Rob’s melodious spontaneity. Their recent CD ‘Devil or Dove’
received rave reviews and extensive airplay for its inspired originals and
ingenious variations on standards. Featuring Hilary Cameron (piano), Nick Kacal (bass) and Mark Fletcher (drums).”
THE INDEPENDENT ON SUNDAY.
16th October 2005.
GOING OUT - Jazz & Blues - THE FIVE BEST GIGS by Roger Trapp
“ The
singer-songwriter Zoë Schwarz’s world-weary voice brings an endearing quality
to a repertoire made up largely of compositions by herself and her
longstanding guitarist, Rob Koral. With support from their regular band, they
produce a gently swinging sound that trends more towards the blues than the
soul and pop favoured by most of Schwarz’s peers. Pizza Express jazz club,
London, Thurs”
THE WESSEX MUSE MAGAZINE. ISSUE 03. OCTOBER
2005.
A New Album And A Week At Ronnie
Scott’s
“Meeting up with
Zoë Schwarz and Rob Koral is as much an enjoyable
experience as listening to their music.
Both are surprisingly unpretentious, especially considering their
obvious talent and the fact they are currently riding a wave of increased
interest in their work. Nevertheless,
once they start talking about their music the passion, enthusiasm and obvious
love of melodic jazz takes over. After
three years of working together and honing their craft their confidence and
determination to reach as many people as possible is unbridled.
continued………………” editorial by
Roger Kaye
LIVE REVIEW - Swindon Jazz Club
The Zoe
Schwarz Quartet featuring Rob Koral 05/05/05 8.30pm
Venue: The King's, SWINDON, WILTSHIRE
Reviewed by: - Keith Brain
The Swindon Jazz
Society presentation at the Kings this month ended a recent run dominated by
female performers.
Those who may have heard Zoë Schwarz on local radio airwaves with her
guitarist Rob Koral prior to this Swindon debut gig
will be aware of a quality act.
However, you can't beat a live performance before an audience, and the Kings
upstairs music room, by a fortunate quirk, can provide a rewarding experience
when listening to artists who know about sound balance and acoustics. And Zoe Schwarz
has a very good microphone technique which projects a strong, unstrained
voice with a wonderful husky edge. Her
programme included entertaining and varied originals, often with a theme of
un preaching social observation - I'm Alright Jack, Give Him Up Girl, and The
Waitress were typical titles.
The standards were well represented, too,
along with Diana Krall material: A Charmed, Charmed
Life and a knockout Cry Me A River were especially memorable.
Rob Koral, plus Jerome Davis on double bass and the
much travelled Mark Fletcher on drums (recently associated with Chuchu Valdez in Cuba), provided a super sound background
tapestry to the evening.
Zoe Schwarz soon appears opposite the renowned
pianist Monty Alexander at Ronnie Scott’s Club. Let's hope we can afford her
in this local setting again.
LIVE REVIEW - Chichester Jazz Club
By Barry Boyce
Zoë
Schwarz in April followed Zoë Rahman
in March. For me, the man who books the bands for CJC, there was a sharp contrast
that has nothing to do with the artists’ musical or presentational talents.
As my devoted readership will recall, her visit to CJC was the sixth
time I’d heard Zoë Rahman in live performance. In
contrast, I booked Zoë Schwarz after listening many times to her second CD,
Dancing For Miles, and then eventually going to hear her in a duo at the Jazz
Café Fleur in Poole. My visit had convinced me of her voice and her ability
to handle a small, noisy audience. Clearly also she and Rob Koral, guitarist and composer, had a close musical understanding in their
well balanced programme, with many classic jazz standards and only a few of
their own compositions – even though their own music is very important to
them both. Any slight doubts about Zoë were removed by her excellent third
album, Devil and Dove, in March 2005, followed by the news that she had been
booked to play a week at Ronnie Scott’s in August 2005.
Even so, I was surprised at just how good the whole band was at CJC.
Zoë’s singing was remarkable, with an attractive, smoky tone in the lower
register and a strong, soaring quality, effortlessly achieved apparently, in
the upper range. Her stage presence, attributed to
her 9-year old daughter’s inspiration, also impressed. The energy of her live
performance matches that of ‘the other Zoë’ and makes me inclined to believe
that there really is something in a name (if you can be bothered, see the
review of the Zoë Rahman gig). Rob Koral lived up to his excellent reputation – ‘worth his
weight in gold’ according to one review. He moving easily between unobtrusive
support and totally convincing solos; his solo
version of Shadow of Your Smile led the audience to call for an encore, a
beautiful Moon River. On piano was Hilary Cameron who started well, if
somewhat tentatively at times, and was absolutely outstanding in the second
half; on record she also sings and plays flute and it would add a special
quality to the band if she did so in live performance. And finally, young Nick Kacal on bass, who played with great zest and drive all evening and
contributed several excellent solos.
Among the numbers that particularly appealed to me were: All Right,
OK, You Win; Tom Waits’s Temptation; Ellington’s
Lucky So and So, and Jobim’s No More Blues.
Schwarz-Koral originals included the Billie
Holiday-inspired Let’s Explain and Give Him Up Girl; The Waitress; and I’m
Alright Jack. It was on some of the more up-tempo numbers that I noticed a
certain lack of clarity in Zoë’s diction. Not a problem in the standards -
when I knew most of the words anyway - this sometimes spoilt my enjoyment of
what are often clever and subtle lyrics in the originals.
In summary, Zoe is outstanding, particularly
considering her relatively limited experience in jazz. I will be fascinated
to discover quite how far her career will take her. She certainly meets my
standard ’20-mile test’ for bands – I’d travel at least that distance to hear
her again! Indeed I shall try to get to Ronnie Scott’s during her week in
August. This will be a test - the audiences at Ronnie’s re not famously
polite and attentive as far as the ‘support bands’ are concerned – but one I
feel sure she and the band will pass.
sherbornejazz.org.uk.
PR: GIG for 23rd April 2005 .
by Iain
Houston, Sherborne Jazz Club,
Zoe
Schwarz is a powerful singer who now shows us the breadth and depth of her
passion for music as she sings songs that she has written herself and clearly
convey an intense and personally felt emotional
energy.
Many of her new songs come from her latest CD Devil or Dove
which has led to considerable national acclaim not to mention a week at
Ronnie Scott’s Club - a fitting platform for someone who has put so much into
her craft as those of us who have heard her perform locally know well.
Zoe's long-time musical collaborator, guitarist Rob Koral complements Zoe's new
writing and classically-trained voice with his own extensive experience of
the jazz repertoire. He says: Because Zoe and I
come from different musical backgrounds, I feel that
a very interesting ingredient is thrown into the melting pot. We all know,
love and need the great standard repertoire, but I also think that it is
important to create new music."
"Performing jazz is about having a conversation" explains Zoe. "The spontaneity is tantalizing; creativity
personified. I adore performing and recording, and love the pressure of
wanting the sound to be perfect, the discipline required for the production.
But to top it all I am thrilled by the challenge of writing songs - what a
privilege to have an open forum to be able to express opinions and
emotions!"
www.mumboduck.com
PR: Saturday 11th June 2005 by
Tom Toomey
Come to the
Party at the Sherborne Castle! You can luxuriate in the
mellow, sophisticated bluesy sounds of the Rob Koral,
Zoe Schwarz Jazz Quintet. There’s a synergy between
Zoe’s sultry voice and the warmth of Rob’s guitar
and when you listen to their music you’re experiencing something unique – a
conversation between singer and musician that can never be repeated.
THE DAILY MAIL. Thursday, March 3rd,
2005
Femail Magazine. by Rachel Halliwell
Double page center
spread. “It’s the dream of countless women – to give up their stressful, demanding
jobs for a quieter way of life. Meet
three high flyers who did just that… with surprising results!
Zoë says: “Moving to the country was meant to be the perfect antidote
to 15 years of stress. I had gone to
work in the City as a temp to pay off my student debts after gaining a music
degree at Middlesex University………………………………
DORSET
MAGAZINE April 2005
by
Bridget Swann
“….. a collaboration that creates an electrifying creative
synthesis of two outstanding musicians. Devil or Dove possesses a sublime
emotional range and intensity ….”
DORSET
ECHO 15th March 2005
FACE
TO FACE. BY Ruth Meech
“ Not many people have the nerve to bin a top-dollar
corporate career in order to be a mum and follow their dreams of being a jazz
singer. But Zoë Schwarz did just that
– and now is looking forward to the release of her second CD and a week at
Ronnie Scott’s!………………………” (full page
article)
JAZZ COVENTRY PRESENTS. fri
19 nov –
Zoe Schwarz
Quintet
“Deft, witty original compositions combined with a
clever choice of standards and an assured technique marks out singer Zoe Schwarz as one to watch.”
THE DORSET ECHO. Tues 17th February 2004.
Article with details taken from the Express.
THE DAILY EXPRESS. Friday 6th
February 2004.
by Julie Welch
Double page spread ‘Ex bank executive reveals why she
gave up her highly paid job to fulfill her dream of
becoming a jazz singer.
THE STAGE.
January 15th 2004.
Piece on ‘new comer’.
LIVE WIRE –
June GIG GUIDE 2003 Ian Peterson,
“The Green Room have another
great programme this month…………………………..
…………….………..…. At the other end
of the musical spectrum Zoë Schwarz brings her spin on jazz on Friday the 13th.
Brilliant Scat, and recommended………………”
THE CYLINDER @www.livewirelistings.co.uk
Fiona Hayes, Ye Olde George Inn, Christchurch - 23 January
2003
Dorchester based jazz vocalist Zoë Schwarz
made her George Jazz Night debut at Ye Olde George Inn on Thursday 23 January, along with
guitarist Rob Koral,
and the bass player Brett Neville joining
them for the first, but probably not the last time. They started
promptly at 20.30, which is refreshing, playing to a
small audience, which grew to fill the Barn Bar during the evening. Rob
commenced proceedings with an incredibly intricate, skilful and moving intro
on guitar to Autumn Leaves, joined by Brett on a dulcet bass, then
Zoë’s vocals. Her voice is excellent, with good vibrato, dynamics, and
phrasing, great scat singing and she is particularly good in the lower
registers. Another fascinating intro from Rob’s exquisite guitar to Loverman, and Zoë sang with great depth, shades of
Lady Day, Ella, Krall and Alison Moyet seeping through, proving she is a singer for all
tastes whilst retaining her own style. The audience rightly greeted
this number with tremendous applause. The Bossa
nova Little Tear was next, the Brazilian tune rolling along gently
under the hands of these three superb musicians, each of whom could stand as
soloists in their own right.
The playlist was wonderfully mixed, Fly
Me to the Moon, That Old Devil Called Love, St. Louis
Blues, Masquerade, S’Wonderful,
the boisterous Frim Fram
Sauce and Once I Loved completing the first set. Zoë’s great
diction and lovely scat singing was to the fore in her powerful rendition of Lullaby
of Birdland, whilst the Bossa
nova Walk On By made you feel it had been specifically written for
voice, guitar and bass. I cannot stress enough the incredible input
from Rob and Brett, their creativity and superb musicianship was awesome,
fashioning a delectable string backdrop on which Zoë carefully fashioned her
melodic verbal picture. A suitably pain-ridden Don’t Explain was
followed by the upbeat and joyful Sweet Georgia Brown, and songs that
varied from light, through provocative to a 3am feel came thick and fast.
The audience couldn’t get enough of Zoë, Rob and Brett,
as a tremendous roar went up with the applause after the last number.
An encore was called for and I Can’t Give You Anything But Love
provided the solace needed until we can hear them again. Fiona xx
MARSHWOOD
VALE MAGAZINE February 2003
by Furgus
Byrne,
LISTENING to Zoë Schwarz's tantalising voice, it is hard to believe that she's
actually a very recent convert to Jazz. The extraordinary depth of intimacy
in her vocal range belies what she calls the 'steep learning curve' from a
performing Arts Degree in mostly modern and classical music, to spellbinding
performances with some very accomplished jazz musicians.
A first listen to her recent CD Where did we begin?
recorded with local jazz giants Rob Koral and Julie Lewis is a revelation. Where many before her
have trampled all over classics with misguided self importance, Zoë Schwarz
brings a refreshingly delicate, sometimes even naïve touch to songs such as
Arthur Hamilton's Cry Me a River and the seductive Isham
Jones melody It Had To Be You. For those that haven't had the
opportunity to experience her blend of rich vocal colour and mellow midnight
moods, February is the month to change that. Zoë Schwarz appears at different
venues throughout the area variously accompanied by guitarist Rob Koral and pianist Julie Lewis.
Rob and Julie are names that need no introduction to local
Jazz fans. Rob's CD's with Sue Hawker are prised possessions for many and
Julie Lewis's keyboard and piano playing has banished many a deep
conversation into misty irrelevance in local bars and restaurants.
Unlike the freestyle frenetic
jazz of Miles Davis or John Coltrane, Rob Koral, Julie Lewis and Zoë Schwarz bring a fluid and
smooth delivery to their performances. In an interview recently with local
fan Georgina Hare, Rob described his playing as 'melodic and accessible,
bridging between mainstream and classical'.
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